MK-123 專業土耳其 Kanun 由 Mustafa Sağlam 在安卡拉工作室製作,採梧桐木(chinar)琴身、黑檀木弦軸、alpaca 合金 mandal 與 PVF 琴弦,調為標準土耳其 A–A' makam 音階。它與同系列的 MK-404 出自同一位製琴師、投入相同工時,也遵循相同品質標準;兩者唯一差異是琴身木材,因此各自呈現不同音色與視覺個性。
兩款都出自同一間安卡拉工作室,由同一位製琴師 Mustafa Sağlam 製作,採相同製作標準,定價也完全一致;彼此沒有品質高低。唯一有意義的差異在於木材:MK-123 使用梧桐木/chinar,重量較輕、色澤較淺,更接近經典土耳其 Kanun 外觀;MK-404 則採胡桃木琴身搭配雲杉面板,音色較溫暖深沉。請按個人木材偏好選擇,兩款都同樣適合土耳其 makam 曲目。
| 製琴師 | Mustafa Sağlam-土耳其安卡拉 |
|---|---|
| 調音 | 土耳其 A–A'(低音 A 至高音 E) |
| Mandal 系統 | 每組弦 26 個(alpaca 合金) |
| 面板 | 梧桐木(chinar) |
| 弦軸 | 黑檀木 |
| 琴弦 | PVF 尼龍弦 |
| 隨附 | 硬盒、備用琴弦、mandal 緊固匙、指套撥片 |
| 原產地 | 土耳其安卡拉 |
| 型號 | 價格 | 琴身木材 | 製琴師 |
|---|---|---|---|
| MK-123 | $1,299 | 梧桐木(chinar) | Mustafa Sağlam · 安卡拉 |
| MK-404 | $1,299 | 胡桃木+雲杉木 | Mustafa Sağlam · 安卡拉 |
| MKA-4 | $1,299 | 梧桐木面板 | Mustafa Sağlam · 安卡拉 |
| MKE-5 | $1,299 | 梧桐木面板 | Mustafa Sağlam · 安卡拉 |
| MSK-4 | $3,999 | 頂級結構 | Miras · 伊斯坦堡 |
兩款皆由 Mustafa Sağlam 在安卡拉製作,品質相同,價格同為 $1,299。唯一材料差異是木材:MK-123 採梧桐木,較輕;MK-404 採胡桃木+雲杉木,音色較溫暖深沉。請按木材色澤偏好選擇,兩者沒有哪一款「更好」。
由 Mustafa Sağlam 在土耳其安卡拉的工作室製作,並於伊斯坦堡/Üsküdar 工作室檢查與整備,再寄往全球。
每天練習約 1–2 年,通常可達到有自信演奏的程度。Mandal 系統帶來的不只是音高控制;每次 makam 轉換時,都要在樂曲進行中改變音程位置。
提供。樂器會從安卡拉送往伊斯坦堡整備工作室檢查,再裝入雙層瓦楞客製木箱,以泡棉緩衝,並透過 DHL/FedEx Express 全額投保寄送。寄達歐盟/美國通常需 5–9 個工作天。
一般練習:6–12 個月;每天練習或演出:3–6 個月。請按整組弦更換,而非只換單條琴弦,以維持音色平衡。
我何時會收到訂單?
全球免運配送時間為 3–5 週。
DHL 全球配送時間為 2–4 天。
Sala Muzik 是否提供國際配送?
目前我們配送至全球各地。
Extremely pleased with the quality, the beautiful design and especially the sound of this Kanun. Shipping was timely and well packaged. Was very impressed with how well it stays in tune, even after long practice sessions and with variations in weather. The hard case is very stable, yet quite easy to carry.
My highest compliments and deep gratitude to Sala Music! Teşekkür ederim!
My first Kanun. I don’t have much experience to compare but the more time I spend the more fun I get. Inlays seems to be set strategically and very helpful mapping the instrument. I figured imaginary lines between inlays which makes it easy to locate harmonics. I am not sure whether it was random or ingenious of the maker, but I am leaning towards latter. Had it for a few weeks and tuning hasn’t set in yet. May be this is natural to this instrument since it has many moving organic parts. Once tuned it holds pretty well during fun session. I practice about 3-4 times a week. I need to spend 15-20 minutes each time to tune. It loses a few cents on almost all strings. Sometimes I tune using mandals to get there faster if all three strings lost value to a closer or similar degree. So far I am happy with the purchase. It arrived fast and it was packed very well.
I'm satisfied with the good quality of this beautiful Kanun. I received it in my country after 5 days only from payment and without extra taxes. I never played Turkish Kanun (I used to play on Arabic Kanun) and I think this is a good one in term of quality and price. It's also with lightweight and easy to carry as arabic ones are heavy! Thank you SALA MUZIK :)
This is my first time buying a Kanun and it has a really great sound. Thanks to Mustafa Saglam who created an instrument that gives pleasure when you play and here it. I even received some extra strings for the Kanun. If you are interested in Turkish Makams, Classical Turkish Music and more, you can definitely give this instrument a try! If this is the first time you are seeing this instrument, try listening Goksel Baktagir and Aytac Dogan.
This is a beautiful instrument, and I've been looking forward to learning to play it. I bought it so I could play some microtonal tunings by using the mandals, but that concept only works if the tuning is stable. Due to a combination of peg slippage and the stretching of the new nylon strings, a few strings are out of tune again even before I finish tuning. A friend advised me to put chalk on the pegs that totally came loose during tuning, and I've been doing that. It does help. I don't know whether the tuning will become more stable as the instrument settles down, or whether there's something odd about this particular qanun. Tuning before you play is of course necessary for any qanun! It's what musicians do.As a point of reference, the Korg chromatic tuner is worse than useless with a rapidly decaying plucked string. I'm using a sustained synthesizer tone for reference while tuning, a pure sawtooth wave. I know what strings sound like when they're in tune. I don't mind a little beating between two strings in a course. That adds to the tone quality of the qanun. But what I've heard so far, in the first few days, is more than "a little beating."